Celebrate the profound legacy of Black feminist thought with an extraordinary, one-night-only triple feature presented as part of Court Theatre’s 2026 Spotlight Reading Series (https://www.courttheatre.org/season-tickets/spotlight-reading-series/spotlight-reading-series-2026/). A Womanist Trilogy unites three groundbreaking, mid-century Black women playwrights whose poetic and radical works shattered theatrical conventions to map the interior lives, political struggles, and spiritual resilience of Black women. The evening features a dynamic lineup of staged readings:Color Struck by Zora Neale Hurston (1925): A sharp, tragic, and rarely produced folk drama that courageously confronts intraracial colorism and jealousy in the rural South. A Black Woman Speaks by Beah Richards (1950): A fiery, foundational choreopoem that powerfully deconstructs white supremacy, patriarchy, and global oppression through a fierce call for solidarity. She Talks to Beethoven by Adrienne Kennedy (1989): An avant-garde, dreamlike masterpiece that weaves together the political turmoil of 1960s Ghana with a woman’s surreal, healing communion with Ludwig van Beethoven. Through folklore, radical poetry, and surrealism, this vital trilogy offers a breathtaking testament to the enduring power of the Black woman’s voice in American theatre.Artwork by Brandon Breaux.